• The Evolution of the Destroyer

    A small, dark haired girl in a sundress is seen from behind viewing a museum models of warships in a darkened room of the Maritime Museum in Halifax, Nova Scotia. The title of the display is The Evolution of the Destroyer and includes information about their missle range capabilities
    photograph, 2010, taken at the Maritime Museum, Halifax, Nova Scotia
    Fediverse reactions
  • cul-de-sac

    they put the kids away like groceries
    while soldiers rummage rooms for men and money
    feed them, wordless, on their stomachs
    looking at the carpets and the mud tracked in

    afterward they count what’s left
    the crescent crusts, the bruises on their thighs
    the calendars on flowered walls, a day crossed off

    a day

    a day

    then nothing

  • when they come for you

    first published in Room, issue 45.1, 2022

    the air in her house is thick
    with yesterday and she says
    you’re growing tall like a woman
    and clucks her tongue and
    rustles through the kitchen
    drawers thick-painted white.

    cutlery clinks together
    etching scars on surfaces
    (like the girls in school in
    their too close beds
    set in rows so
    you could see when the
    men came in and who
    they went to).

    this will do.

    she pats a spot
    on the chesterfield
    pulls me down
    beside her holds me
    to the river beds of her
    cheeks her avon smells
    and the shush of
    hoarded tv guides
    under our bums.

    she puts a teaspoon on
    my palm and wraps my fingers
    around it like a gift.

    keep this in your pocket.

    (she’s given me other things
    a bar of ivory soap, a bread bag full of pennies
    a washcloth folded tied with string
    but a spoon?

    she has so many
    resting in bowls of hardened mush
    tucked into the bible like
    bookmarks.)

    she waits
    for me to stick it in the
    shallow of my corduroys
    where I rub it like a worry
    stone, rub the steel
    Into a mirror.

    you hold the spoon in your
    hand like so and
    place it here
    next to the nose
    next to the eye
    between the nose and
    the eye and push.

    and then?

    she takes my
    hands and prays them in
    front of me, her own
    on top of mine.

    and then you run.
  • but still

    smoke lingers on concrete steps
    stubbed cigarette before he left
    tip still wet from the cleft of his lips
    kissed, the fire out

    #poem

  • Sweepers

    originally published in The Humber Literary Review Vol. 10 Issue 1, Spring Summer 2022

    Jamie Hill steps into his white coveralls and zips them up. It’s a little tight going over his belly despite sucking in, and he catches his t-shirt in the teeth.

    “Shit.”

    He pulls it free and is left with a dime-sized hole in front where the zipper bit through. It’s his favourite t-shirt though it doesn’t look like much. It’s just a plain white t-shirt with a crew neck and a chest pocket he’s never put anything in. The bottom hem is already ragged from being washed and worn so many times and the threads are disintegrating, but it’s his lucky shirt and, as long as he keeps it tucked, no one’s any the wiser.

    He puts his finger through the hole. Yup. Clean through, alright. He’ll have to leave the coveralls on for the day to hide it. He’s not about to change into a new one, not on his first day on the job.

    This shirt has brought him luck since he picked it up in one of the stalls at the CNE. He’d worn it the night that he got into a fight at the racetrack. Some drunk guy in a Harley hat thought Jamie was hitting on his girlfriend and clocked him in the chin, and, when he fell, stomped Jaimie’s knee. The next thing Jaimie knew, he’d pulled out his blade and stabbed the guy in the liver. Selfdefense! That’s what he’d argued in court and it was true, for the most part.

    He was lucky because the guy lived and he’d only gotten eighteen months in county and not life in Kingston. He was lucky because the judge had taken pity on him on account of his knee which the doctors set wrong and now he walks with a limp. There goes your lacrosse career, his cousin, Jesse, had joked when Jamie was released, and Jamie had laughed because he was never the athletic type to begin with.

    Yeah, he felt lucky.

    But even an eighteen month time out can cause trouble with work. They’d let him go at the construction site and, now, with a record, no respectable place wanted to take a chance on him. Other guys might go the usual route, break-ins and other petty stuff, but not Jamie. His mother expected better than that, despite being raised hand to mouth. No, if he was going to make money, he’d have to get creative.

    He’d gone in with Jesse on an old cargo van. It was the last of the nest egg his German grandma on his so-called father’s side willed him and was supposed to be for higher education, but what else could he have done? His back was against the wall and the old lady was long dead. 

    He and Jesse had taped up flyers on telephone poles hoping to hire themselves out as movers and they’d managed to get a few bites. They’d cleaned out junk from abandoned rentals and helped empty nesters downsize into condos. They’d driven boxes of dead people’s memories to estate auctions in the warehouse district.

    Then Jesse broke up with his girlfriend and shot himself in the head and business petered out. Who was going to hire a one-guy ex-con moving company? The van sat idle in his mother’s driveway while Jamie washed dishes under the table at a nearby fish and chip place. He’d sat in the back between shifts reading the Pennysaver and that’s where he’d seen the ad. Street Sweepers wanted. Anyone can apply. Well, shit, Jamie had thought. I’m anybody.

    Jamie remembers the street sweepers from when he was a boy. They drove tractor-looking vehicles with big round brushes on them and went down the gutters sweeping up cigarette butts and leaves and trash. He and his friends used to chase it down the street. They’d heard stories about kids getting caught in the brushes, so they’d follow along, watching, not knowing what they’d do if it actually happened. Would they watch the kid get brushed up, making a big red skid mark running down the street or would they play hero and risk themselves to save the day? Jamie still wonders about things like that, about what he’d do if it came down to it. So far, he hasn’t had to find out.

    The ad for Street Sweepers wasn’t that kind of sweeping though. There weren’t any tractors with brushes as far as he knew. You were expected to bring your own vehicle. So he’d put on his lucky shirt, fired up the van, and went down to the meetup to see what it was all about.

    The job was for a different kind of street sweeping, the kind you do with power washers instead of brushes. Fifty-some-odd guys showed up. A couple of women, too, but they didn’t last long because, you can sugarcoat it any way you like, the job was pretty gruesome.

    Plus, you had to have your own vehicle, a big one like a truck or a van, and that thinned out the herd from the start. Not many people had the vehicle for it, not in the city. You needed a power washer too but the guy was offering them with monthly instalments, no interest for the first year. Jamie had rubbed his hands on his lucky shirt and signed up on the spot.

    His mother wasn’t impressed. She’d looked over the paperwork and slammed her hand on the table. “Dammit, Jamie. What are you doing? This isn’t a job for a decent man. You’d be better off selling smokes out of your cousin’s trailer.”

    “You won’t be so mad when the money starts rolling in,” he’d said. Jamie had big plans. This wasn’t an hourly wage job. He’d be his own boss, a real entrepreneur.

    The training wasn’t all that hard. He already had first aid that he got back in high school, not that he saw any pressing need for it as a Sweeper but you never know. His trainer was impressed with Jamie’s van. He’d said that white was a good color for a Sweeper van. It inspired hope. Then the trainer had put his hand on Jamie’s shoulder and looked around at everyone else in the room while they looked at their feet.

    Besides a vehicle, there weren’t any particular requirements for the job. The trainer said it was one of the benefits of the business model. Street Sweepers merely provided a roster of independent businesspeople available for hire. Some of the guys were even hiring themselves out for illegal side work which the trainer didn’t condone but didn’t exactly ban either. Jamie tried to ignore the stories. He’d spent enough time behind bars.

    The white overalls shush between his legs when he walks. He puts the bag with his gloves and ventilator in the van’s glove box, and throws his Stanley thermos on the passenger seat along with a couple of magazines to thumb through while he waits. Then he heads downtown.

    The job is at King and Yonge, 11am, according to the app. He has a couple of hours to kill until then. He rides up and down the denser parts of the city keeping an eye out for clusters of people. That’s how you know something’s about to go down, the trainer told them. There are still unscheduled events, though the city’s been cracking down on them which is understandable. Unscheduled events mean the city has to pay for the cleanup and try to collect afterwards.

    He doesn’t know if he wants to pick up an unscheduled. The trainer told them that the city is slow to pay and sometimes you have to wait months before you see a dime.

    Jamie pulls over. His stomach is growling. Even though his stomach is churning, he could do with a bite and a coffee. He goes into Jo Jo’s and sits at the counter. He’s been going to Jo Jo’s Diner since he was a kid. All Day Breakfast. Now that he smells the bacon frying, he’s ravenous and orders the Hungry Man Feast. He hunches over his plate dunking toasted triangles into soft yolks with one hand and feeding sausages into his mouth with the other.

    He can see some of the other diners staring at him while he eats. Sweepers hasn’t been in business that long but everyone already knows who they are. Some people are glad for the convenience but not everyone wants to see it take off. There have been petitions, online and off, and protests outside of the downtown office.

    Jamie ignores the stares, watches the tv on the front wall and chews. Basketball players are fighting over a ball and the announcers are getting wound up. He doesn’t really like basketball but he’s not watching the game. He’s watching the ticker at the bottom of the screen for today’s number. There it is. Seventeen. After eleven, it’ll be eighteen. He gulps down his coffee not waiting for it to cool and it burns his throat.

    When he gets back out to the van, there’s a small slip of paper flapping under one of his wipers. Great. Fucking great.  Jamie tears off the ticket and stuffs it into one of the pockets of his coveralls, climbs in and drives over to King Street. He’s not allowed to park on the street but he does because the city has been looking the other way. Now that he’s on the job, he gets out the Sweepers decal and slaps it on the side door. It’s a cartoon of a man in white overalls leaning against a broom. He’s smiling. Then, he gets back into the van and waits.

    Soon enough, parking enforcement comes wandering down the sidewalk, sees the vinyl sign on the side of the van and hustles on by. They know what it means and they want no part of it. Not the before and certainly not the after.

    Jamie gives the officer a grin as she passes and she gives him the finger but keeps walking. Jamie laughs and puts his seat back. He grabs a magazine and flips through it, looking at the pictures.

    The crowd grows around him, a mix of commuters trying to get to work, tourists, and assorted voyeurs jockeying for position, climbing up on cars and dumpsters, trying to get the best view. Jamie watches their excitement, and, while he doesn’t share it, he’s not disgusted by it either. He’s got a job to do, after all. He has to maintain a professional distance.

    The first time Jamie saw one of these, it was online. Jesse had sent him a link to a video and they’d watched it over public WIFI, trashing the file afterward.

    “That’s fucked up,” Jesse had said. Jamie hadn’t really seen anything on account of the shaky footage. Maybe it wasn’t even real. People fake all kinds of things online these days. Maybe it was CGI. “Sick bastards, filming this shit to make a buck.” They watched it a second time in slow motion. “Whatever,” Jamie had said at last.

    Today won’t be CGI. It’ll be the real deal. Jaimie wishes Jesse was still alive so that they could watch together. He sits in the van with his feet up on the dash, waiting. He doesn’t have to be here until later, when it’s over and the crowd thins out. He could go back to the diner. They serve beer after eleven. But he’s here now, and he might as well stay or he’ll lose his parking spot. And he has to admit to a certain curiosity, not about the event but about his reaction to it. He thinks he should feel more than he does. Is there something wrong with him?

    The crowd is bigger than he expected. They sip on big gulps and throw their cups in the gutter. They smoke like there’s no tomorrow and flick the cigarettes through the air, not bothering to butt out. Jamie wonders if he’s  responsible for cleaning up their mess as well. The trainer never mentioned anything about the trash the crowd makes. He sends a message to the app and gets a form email in response directing him to the FAQ. He sighs and puts his phone in his pocket and zips it up.

    Soon enough, the van is surrounded so he gets out. Out of the air conditioning, he sweats in his coveralls. The fabric is nonporous, unforgiving. Rivulets run down his chest. He wishes he didn’t keep his jeans on underneath. The air stinks of cigarettes, B.O. and pot. He sniffs his own armpits. He’s going to need a shower when he gets home. 

    And then the crowd swells forward, shouting. It’s happening. Hands point to the sky and he looks up, scans the buildings, floor by floor. 

    Jamie follows the crowd forward without thinking. He doesn’t know what he hopes will happen, what he dreads is happening. He doesn’t think at all. He’s caught up in the movement of it, speeding up when the crowd speeds up, turning right and then left. From above, they must look like a single thing, opening up in the middle, ready to swallow.

    Everyone has their hands in the air. He finds the dot in the sky, the dot that grows larger until it’s completely obscured by countless onlookers and when the crowd falls silent, just for a moment, he knows the jump has happened.

    He feels disappointed.

    The crowd, more or less, disperses. Some are crying, some are laughing hysterically, some pat each other on the back like they’ve done something worth doing. A woman holds another woman’s hair while she pukes into the gutter. Jamie makes a mental note of the location. He’ll get to it later with his spray washer. On the house.

    A siren honks on and off and the ambulance crawls past. They give a professional nod to Jamie as they pass and he nods too and heads back to the van. They won’t be there long. A lot of the preliminary stuff has been dispensed with because it’s a scheduled jump. There are no cops, no investigation. They don’t even bother to cordon off the area. By the time Jamie rolls the van into the center of the scene and hops out with his gear, they’ve already loaded the body into the back of the ambulance.

    “We got coffee over here if you want any,” one of the attendants says.

    Jamie hold up his thermos and shakes his head. He’s good, he’s good.

    Jamie looks down on the sidewalk where the body hit the ground. There’s less blood than he thought there’d be but enough to make a job of it. There’s also other stuff that turn his stomach when he tries to make out what they are. Better not to put two and two together. Just wash it away as quick as possible and everyone can get on with their day. That’s what his trainer said. Extra points for speed.

    He gets right to work, spraying and brushing, picking up what won’t wash away and throwing it in bio containers. He picks up the trash too. The pop cans and fast-food wrappers, empty cigarette packs and wadded up tissues. He finds a shoebox and thinks someone must’ve dropped it on their way through. Some poor shopper who ended up going home with nothing. The picture on the box is for a pair of heels, high-end heels by the looks of it. Maybe they’ll fit his mom. Maybe then she’ll see that he made the right decision. But there aren’t any shoes in the box. Only a little dead bird.

    Jamie holds the box up to his face to get a good look. He should know what kind of bird it is but he’s not particularly outdoorsy. He’s lived in the city his whole life. He doesn’t know what kind of bird it is and it makes him feel like less than he is. He puts the lid back on the box, the tiny body still inside, and tosses it into the bio container along with the rest of it, takes a last look around to make sure he hasn’t missed anything, then signs off on the app.

    #ShortStory #fiction

  • diaries

    When I was a teen, I kept a diary of my daily life. I still have the volumes and they’re pretty boring. I wasn’t ready to bare my soul then, even though there was a lot to bare. I think I kept them as a way of rewriting my life, cleaning it up. If I didn’t write the bad stuff, it didn’t really happen.

    I kept up these intermittent diary entries all through my teens. I thought I would hand them down to my children, that they’d offer some insight, maybe become precious family heirlooms. I thought I was doing something grand but I wasn’t. My kids have never shown the slightest interest in them.

    Sometimes I think about what will become of my diaries after I’m dead and I fantasize about someone running into them at a Goodwill, picking them up for song, and finding something profound in them.

    They can’t believe their luck. Such a remarkable find! They post about them online, maybe make a YouTube or TikTok video doing a readalong, and I become famous in death.

    I know that this is a pipe dream. I know they’ll probably end up in a garbage bag with the rest of my stuff, add to a landfill somewhere and, hopefully, wind up lining nests or burrows.

    Yes. I like that. If I can’t inspire the coming generations, I can, at least, keep them warm.

    A black and white of photo of a stack of diaries on a wooden table. The top one says DIARY on the spine in large printed  letters. The two beneath it, slightly fanned out, say Journal in a script typeface. The photo has a high contrast and utilizes vignetting, darkening the edges and corners of the image.
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  • looking for you

    Caustic Assets – video show, 2009, Centre for Art Tapes, Dalhousie Art Gallery, Sackville, NS

    It started with a walk.

    Behind Gastown in downtown Vancouver, near the cruise ships that come into the harbour, there is a sidewalk that leads to parklands and docks and is frequented by families, tourists, binners and the unhoused.

    I came across Jimmy’s diary, torn apart and strewn out all over the deck, along with photographs, needle caps and a torn up scratch and win. I gathered my find and took it home where I read the contents.

    I should have stopped right there (should I have?) but I didn’t. I decided that the universe had given me a gift. Me. I would be foolish to let the opportunity pass.

    looking for you is a show about the “diary of a homeless man” I found on a dock in a park, my relationship to the find and my subsequent utilization of the book in the making of art.

    It’s also about private and public spaces and objects, ownership, finders keepers, doing the right thing and found object art. It’s about apathy, guilt, anthropology, complicity, exploitation, lucky breaks and voyeurism.

    In my perfect rendition of this show, the installation would encompass two rooms or areas. Upon entering, the viewer would encounter a photo show. Photographs of the pages of the found diary would be hung in typical gallery fashion, matted, framed and labelled. At the far end of this viewing room would stand a pedestal with a glass cover and, in that cover, would sit the book, encased. It would be shown as artifact. The book would be closed and inaccessible, the photographs supplying the only clues to it’s contents.

    The back room would be a video viewing area. In this secondary area, a context would be affixed to the show which would alter the viewer’s relationship to the photographs by injecting the audience into the narrative. In this way, the Photography Show would act as stage or prop for the video narrative. The viewer would have to re-move through this re-contectualized space in order to leave the show, thereby causing them to “perform” as the audience within the narrative.

    This “perfect rendition” was never realized however, it was attempted in 2012 at the Firehall Art Gallery in Vancouver BC via a hanging of the photographs and an improvised opening. One person attended – a man who may, or may not have been Jimmy. I was too afraid to ask.

    looking for you, 2012, Firehall Art Gallery, Vancouver BC

    A wall shelf/bar affixed to a red brick wall. On the wall is displayed two of the images in the show. They are pages displayed from the open book, not particularly readable at this distance. On the bar in front of the photographs is a large cheese tray, a large veggie and dip tray and a paper plate loaded up with cookies, all from a nearby grocery store.
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  • It Adds Up

    Sylvie Burch is a garbage picker. That’s what they call her in town though the proper title is binner, according to the binners who collect bottles and cans behind the diner where she works. Sylvie used to help them out, putting the customer’s empties into separate bags when she cleaned up at the end of her shift and handing them out in the back alley. That’s how she found out about the money.

    According to the binners, an industrious person could retire on their earnings if they were careful with their spending and knew the right places to look. Restaurants were obviously rich targets, but also schools and hospitals and business towers. Any place that had air conditioning and vending machines was a good bet. Air conditioning led to dry mouths and you can only drink so much water before the coke machine starts calling. And so she started collecting on the side as a way to feed her rapidly growing son. Who knew boys could eat so much cheese?

    Since she started, the binners haven’t been as friendly. She can’t blame them. She keeps the empties for herself now, and they know she’s holding out. She bets they wish they’d kept their mouths shut about the money. She’s not making a lot yet, but it all adds up.

    When Sylvie isn’t hunting for empties, she works as a waitress at a small Greek diner on the main drag. She works the lunch crowd along with three other single mothers with children much younger than hers. Most of the women are in their early twenties. Sylvie, at thirty-four, is the oldest.

    Joe, the owner, likes to hire single mothers. The townspeople say it’s due to his magnanimous nature, giving these poor women a steady income but Sylvie knows different.

    Yes, Joe revels in his role of benefactor, enjoying the nods and smiles in the stores, but what he really likes is how desperate the women are, how willing to work for any wage no matter how low, to work long hours without so much as a bathroom break, to come when called, to do anything to keep a roof over their children’s heads.

    He likes to sit in a booth at the back of the restaurant when he’s taking a break between the breakfast and lunch crowds and watch the women work. He calls them his girls. He watches his girls clear off the tables, lifting up plates and coffee mugs, scrounging around for change. They’re supposed to put all the tips in a big cup under the till and split it with the kitchen which, let’s face it, is only Joe and his sorry mouse of a wife, but they always tuck the bills they find in their bras when no one’s looking. No one, except for Joe.

    He doesn’t say anything about it unless they get on his nerves and then he brings them into the walk-in fridge and mentions, offhand, that he’s thinking of letting someone go, someone who’s not a team player, and did they know of anyone who might be a good candidate?

    Sylvie hates Joe. Once she’s binned enough money for her son’s education, she’ll quit the diner and this town altogether. Maybe she’ll go to school herself, get her GED, get a job as a secretary or a bank teller; Some kind of office work where you get to dress nice and people treat you with respect.

    In the meantime, she buys a lotto ticket every Monday and dreams about winning for the rest of the week. Can you imagine if she won? Can you imagine it? She’d walk into the diner and sit up at the counter, order herself a cappuccino which none of the girls know how to make well but she’ll order it anyway. And a slice of  New York cheesecake covered in cherry sauce. She’ll ask for extra whip. And whip in her cappuccino too, why the hell not. And Joe would be looking at her from the back of the diner, eyes squinty, jaw set, but he wouldn’t say anything because she’s a customer now, not some poor waitress who has to put up with his shit.

    She’ll eat her cheesecake and drink her coffee slow and leisurely and, after she’s finished, she’ll give all of the waitresses the biggest tip the diner has ever seen. Bigger, even, than Joe makes in a week. And he’ll have to watch the girls pocket the money, money that’s not his, that he has no control over, and he’ll have to wonder, is this the day that all of them finally have enough of him, finally walk out?

    Sylvie fantasizes about winning the lottery every week from Monday to Friday. Then the numbers are called. Then she takes her bottles and cans in on Saturday morning and adds the take to her son’s education fund. Sunday, she washes her floors, sticky from pop and booze leaking out of the garbage bags. And, Monday, it’s back to the diner, stopping along the way to pick up another ticket.

    For eight years she’s kept to this schedule. Eight years of digging around in other people’s garbage, trying to get ahead. Surely, her time is coming. Any day now. 

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  • accidents happen

    A dark bathroom with white fixtures and accessories. Shown is a closeup of the toilet, lid open, a pair of moccasins standing on the dark tiled floor at the foot of the bowl.

    When I was a kid, I was fascinated by the story of the man who left nothing behind but a foot in a slipper. Supposedly, he died of Spontaneous Human Combustion while on the toilet. My father kept a book of supernatural occurrences in the bathroom and, each time I went in, I studied the picture of the old man’s slippered foot lying on the cold tiled floor. I wondered if there was anything left in the toilet – any sign of his final act of life – but the picture didn’t show the bowl.

    I became obsessed with bizarre deaths. On the way to school, I fantasized that a piece of Skylab would hit me and leave nothing but a smoldering crater. I would be a headline item on the CBC. My mother would cry for the camera.

    We had heard stories in the news at that time, my friends and I. Technology was falling to earth. You never knew when your number was up. Anything could happen. Satellites, airplanes.

    A woman lept from a plane and her shoot didn’t open. She landed on someone’s front lawn and made a person shaped impression in the ground. She survived it and thought it was a miracle. She was on numerous talkshows.

    I’m thinking about these things today because I was at the doctor’s and he asked me if I had ever thought about dying. Not suicide, I said. It would be an accident. Unforeseeable. Inevitable. Ball lightning through the telephone line. A runaway train. A slippered foot.

  • Saturday Special

    originally published by Vocamus Press

    “Beauty!” says the wheat blonde man with his checkered shirt tucked into the back of his sagging jeans. He’s inspecting a statue: carved oak, fringed and feathered, one hand raised like a visor, skin stained red.

    Another man, white haired, looks up from a chair under a blue tarp next to a jacked up four by four.

    It’s the last Antique Market of the season and the white-haired man needs a sale. He advances slowly, sussing out the customer with a wary eye.

    “Where’d you get it?” asks the blonde man.

    “Oh, at some auction or other.”

    The white-haired man stands beside the statue and slaps a hand down on its wooden shoulder.

    “You don’t see a lot of these anymore,” says Blondie. He shakes his head.

    “No, well, you know. Like I said. It was an auction.” Whitey juts his chin out, stands tall, buries his fists in his front pockets.

    They eye each other for a moment, the statue between them.

    “My granddad used to have something similar when I was a kid.” says Blondie with a nervous chuckle.

    “Issat so?” Whitey’s posture relaxes. He looks at his watch, looks up at the setting sun.

    “Yeah. Part of a wild west theme he had going on in his den. He was a real collector. I grew up just over there off Gilmour.” Blondie looks in the direction of the road and Whitey turns and looks with him.

    Standing side by side, they could be brothers.

    “How much are you asking?” Blondie looks the statue up and down, his gaze lingering here and there, settling on the stoic mouth. He leans into the face, notes the curve of the nose, raises a finger and traces the war paint on its cheeks.

    “I’m asking a thousand.”

    “A thousand? That seems steep for what it is.” Blondie rubs the flat top of the cigar bundle in the statue’s hand. “Needs a fresh coat of paint.” He’ll put it at the front door, use it to catch his keys when he comes in.

    “I’ll give you five hundred.”

    The other vendors start packing up. Whitey sighs and says, “Eight hundred. Any less and I might as well keep it myself. Take it over to the Falls next month where I can get twelve.”

    Blondie shifts from foot to foot, kicks at the dirt, considering. Eight hundred is a lot for what it is. But he nods. He’ll take it. And Whitey smiles and heads over to the truck to get his iPad.

    “Do you have a tarp?” Blondie shouts. “Don’t need any trouble on the ride home. You know how some people are.”

    “Sure thing,” says Whitey. He gives Blondie a sympathetic pat on the back. “No extra charge. Where are you parked? I’ll help you carry it over. It’s a bit of a beast.”

    They both laugh.

    “Thanks, man. You’re a good guy.”

    “Thanks,” says Whitey. “I try to be.”

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